For the images above I used a 500 watt Profoto head, a 1mtr octa lite without the front diffuser, to give the light a crisp edge, but keeping the inner diffuser attached.
The head was set up slightly higher than my models head position to the side, as close to her as I could get it without it being in the frame.
The background is a white backdrop c 6 to 8 feet behind my model. It’s dark because the light of the flash head is falling off, over the distance to the backdrop in relation to the model. (the inverse square law)
A little light falling onto the background and the shadow of the model creates a nice separation between the back ground and the model.
Either side of my model I have 2, 8ft x 4ft black poly boards taped together to create L’s, these are to block any of the light from my flash head bouncing off the studio walls onto my model reducing the contrast of my light hitting my model.
Why not try this set up for yourself and send me your images results to b.s@mac.com and ill give you my thoughts about them.
Camera: Nikon D300
Lens: Nikon 17mm to 55mm f2.8
ISO: 200
Shutter: 125th sec
Aperture: f8
Did you enjoy this article? Yes or no, please message us with your answer to Bruce direct on the contact form below. To receive a notice of when the next article or feature is published, register for the newsletter mailing list. These will be available to members only very soon so don't miss out, register now. Choose the next lighting technique. Back to : How it is done index
One 2 One Photography Training
BRUCE SMITH
To be able to see these "How It Is Done " you will need to register for the fashion and fine art nudes photography workshops, master classes and courses lighting hints and tips newsletter mailing list.
Connect with Bruce Smith, the published professional with 40 years experience also the author of "Fashion Photography A Complete Guide"